Russian Literature /Literary Criticism
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Realizing
Metaphors "The book covers immense ground—as an essay on the blindness and insight of four major critic/thinkers (Freud, Bloom, Jakobson, Lotman) and as a rigorous and penetrating study of the relationship of two of Russia's greatest poets (Pushkin and Derzhavin). I have never read anything quite like it, either as a daring essay in critical theory or a study of Pushkin's lifelong encounter with his great predecessor."—William Mills Todd, Harvard University "After reading Realizing Metaphors , I would like to express my delight, first of all, at that which, while not an academic accomplishment, is perhaps something even more rare—the author's love toward Pushkin. . . . The Pushkin that appears in David Bethea's book seems to me very much like the original, protean and elusive."—Olga Sedakova, Russian poet Readers often have regarded with curiosity the creative life of the poet. In this passionate and authoritative new study, David Bethea illustrates the relation between the art and life of nineteenth-century poet Alexander Pushkin, the central figure in Russian thought and culture. Bethea shows how Pushkin, on the eve of his two-hundredth birthday, still speaks to our time. He indicates how we as modern readers might "realize"— that is, not only grasp cognitively, but feel, experience—the promethean metaphors central to the poet's intensely "sculpted" life. The Pushkin who emerges from Bethea's portrait is one who, long unknown to English-language readers, closely resembles the original both psychologically and artistically. Bethea begins
by addressing the influential thinkers Freud, Bloom, Jakobson,
and Lotman to show that their premises do not, by themselves,
adequately account for Pushkin's psychology of creation or his
version of the "life of the poet." He then proposes
his own versatile model of reading, and goes on to sketches the
tangled connections between Pushkin and his great compatriot,
the eighteenth-century poet Gavrila Derzhavin. Pushkin simultaneously
advanced toward and retreated from the shadow of his predecessor
as he created notions of poet-in-history and inspiration new
for his time and absolutely determinative for the tradition thereafter. |
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