On faculty since 1999.

Courses taught:

• 201 Ancient to Medieval Art
• 310 Early Christian and Byzantine Art
• 311 Medieval Art
• 318 Romanesque and Gothic Art and Architecture
• 415 Topics in Medieval Art: "Death & the Afterlife"
• 515 Proseminar in Medieval Art (Topics: "Representing the Body in Medieval Art"; "Pilgrimage & the Cult of the Saints in Medieval & Byzantine Art")
• 600 Special Topics in Art History: "Civic Art, Architecture & Public Space in Medieval Italy"
• 701 Practicum in Art History: Bibliography, Historiography, Methods
• 815 Seminar in Medieval Art (Topics: "Icon: The Holy Image in E. Orthodox Culture"; "The Body in Medieval Art")

	Relics, Prayer and Politics in Medieval Venetia: Romanesque Painting in the Crypt of Aquileia Cathedral (Princeton, 1997)
	Contributor and editor with John Mitchell, Shaping Sacred Space and Institutional Identity in Romanesque Mural Painting: Essays in Honour of Otto Demus (London: The Pindar Press, 2004)
“The Monstrous,” in Romanesque and Gothic, ed. Conrad Rudolph, in The Companion to Art (Oxford: Blackwell, 2006), 253-73.
"Monsters, Corporeal Deformities and Phantasms in the Romanesque Cloister of St-Michel de Cuxa", Art Bulletin 83, no. 3 (2001): 402-436.
"The Individual, the Resurrected Body, and Romanesque Portraiture: The Tomb of Rudolf von Schwaben in Merseburg," Speculum 77 (2002), 707-743.
"Inventing a Sacred Past: Pictorial Narratives of Saint Mark the Evangelist at Aquileia and Venice, c. 1000-1300," Dumbarton Oaks Papers 48 (1994):53-104.