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Assignments Examinations Holidays

AH 407: Topics in Nineteenth-Century Art:
Pre-Raphaelitism, Vision, and Desire (Spring 2008)

LECTURE AND READING SCHEDULE


WEEK 1. INTRODUCTION

1/22 (T): Introduction

1/24 (R): Art History Method and Practice

FOCUS ON METHOD: Formal Analysis


WEEK 2. EARLY P.R.B.

1/29 (T): Brotherhood Years

Read:

  • Prettejohn, 17-45
  • Excerpts, Reviews and John Ruskin’s Defense of P.R.B.

1/31 (R): Controversies

Read:

  • Prettejohn, 242-251
  • Michaela Gibelhausen, “A Step Too Far: The Signal for the Perfect Crusade Against the PRB” (Millais’ Christ in the House of his Parents),” Painting the Bible, 2006

FOCUS ON METHOD: Reception Studies


WEEK 3. PAINTING OF MODERN LIFE

2/5 (T): Modern Life and Gender

Read:

  • Prettejohn, 87 -98; 233-242

2/7 (R): Class in Victorian England

Read:

  • Tim Barringer, “Art, Religion, and Labour,” Men at Work: Art and Labour in Victorian Britain, 2005

FOCUS ON METHOD: Social Art History


WEEK 4. EMPIRICISM AND ESCAPISM

2/12 (T): Art and Science

Read:

  • Prettejohn, 251-259
  • Julie F. Codell, “Empiricism, Naturalism, and Science in Millais’ Paintings,” in Mancoff, ed., John Everett Millais: Beyond the Pre-Raphaelite Brotherhood, 2001

2/14 (R): The Medieval Fantasy

**PAPER 1 DUE**

Read:

  • Prettejohn, 98-117


WEEK 5. LANDSCAPE

2/19 (T): Landscape and Vision

Read:

  • Prettejohn, 165-188
  • Alastair Ian Wright, “Suburban Prospects: Vision and Possession in Ford Madox Brown’s An English Autumn Afternoon,” in Watson, ed., Collecting the Pre-Raphaelites, 1997

2/21 (R): Study Day

Read:

  • Prettejohn, 135-163


WEEK 6. MASCULNITIES

2/26 (T): “The Fleshly School”

**Group 1 Presentation**

Read:

  • J.B. Bullen, “Burne-Jones and the Aesthetic Body”, The Pre-Raphaelite Body: Fear and Desire in Painting, Poetry and Criticism, 2005

2/28 (R): Alternative Pre-Raphaelite Masculinities

Read:

  • Colin Cruise, “Lovely Devils: Simeon Solomon and Pre-Raphaelite Masculinity” in Harding, ed. Re-Framing the Pre-Raphaelites, 1996

FOCUS ON METHOD: Queer Theory


WEEK 7. INTERIORITIES

3/4 (T): Collectors and Collecting

**Graduate Paper Topic Due**

Read:

  • Dianne Sachko Macleod, “The ‘Identity’ of the Pre-Raphaelite Patrons,” in Harding, ed., Re-Framing the Pre-Raphaelites, 1995
  • Dante Gabriel Rossetti, Letters to Leyland

FOCUS ON METHOD: Patronage

3/6 (R): Pre-Raphaelite Interiors

**Group 2 Presentation**


WEEK 8. READING LIVES

3/11 (T): Biographical Issues

Read:

  • Excerpts, Pre-Raphaelite Writings

FOCUS ON METHOD: Biography

3/13 (R): Orientalism

Read:

  • Francesca Vanke Altman, “William Holman Hunt, Race, and Orientalism,” in Tobin, ed., World-Wide Pre-Raphaelitism, 2005


***SPRING BREAK: Saturday, March 15th – Sunday, March 23rd***


WEEK 10. GENDER AND THE GAZE

3/25 (T): Gendered Gazing

Read:

  • Laura Mulvey, “Visual Pleasure and Narrative Cinema,” Visual and Other Pleasures, 1991

3/27 (R): Iconic Femininity

**Group 3 Presentation**

Read:

  • Griselda Pollock, “Woman as Sign: Pyschoanalytic Readings,” Vision and Difference: Femininity, Feminism and the History of Art, 1988
  • Selections, Dante Gabriel Rossetti’s Poetry

FOCUS ON METHOD: Psychoanalysis


WEEK 11. GAZE AND DESIRE

4/1 (T): Sexuality and Gender

Read:

  • Stephen Kern, “Seduction,” Eyes of Love: The Gaze in English and French Culture 1840-1900, 1996
  • Rossetti “Jenny”

4/3 (R): The Pre-Raphaelite Nude

**PAPER 2 DUE**

Read:

  • Alison Smith, “Millais’ Knight Errant and the Formation of the English Nude” in Harding, ed. Re-Framing the Pre-Raphaelites, 1996


WEEK 12. THEMES OF FEMININITY

4/8 (T): Femmes Fatales

Read:

  • Beverly Taylor, “Female Savants and the Erotics of Knowledge in Pre-Raphaelite Art” in Watson, ed., Collecting the Pre-Raphaelites, 1997

4/10 (R): Sleeping and Awakening

Read:

  • Larry D. Lutchmansingh, “Fantasy and Arrested Desire in Edward Burne-Jones Briar-Rose Series,” in Pointon, ed., Re-Viewing the Pre-Raphaelites, 1989


WEEK 13. THEMES OF FEMININITY II

4/15 (T): Imprisonment and Virginity

**Group 4 Presentation**

Read:

  • Lynn Pearce, “Mariana: Gorgeous Surfaces,” Woman Image Text: Readings in Pre-Raphaelite Art and Literature,” 1991

4/17 (R): Ladies of Shalott

Read:

  • Prettejohn, 223-231; 261-262
  • Christine Poulson, “Death and the Maiden: The Lady of Shalott and the Pre-Raphaelites” in Harding, ed. Re-Framing the Pre-Raphaelites, 1996
  • Tennyson, “Lady of Shalott”


WEEK 14. FEMALE ALTERNATIVES

4/22 (T): Women Artists

**Graduate Thesis Statement/Bibliography Due**

Read:

  • Read Prettejohn, 67-85

4/24 (R): Woman’s Vision?

**Group 5 Presentation**

Read:

  • Deborah Cherry, “Elizabeth Siddall: Woman in the Relay of the Gaze” Painting Women: Victorian Woman Artists, 1993
  • Griselda Pollock and Deborah Cherry, “Woman as Sign in Pre-Raphaelite Literature: The Representation of Elizabeth Siddall,” Vision and Difference: Femininity, Feminism and the History of Art, 1988

FOCUS ON METHOD: Feminism


WEEK 15. WOMEN’S TEXTS

4/29 (T): Female Desire and Alternatives

**Graduate Paper Due**

Read:

  • Christina Rossetti, “Goblin Market” and “In and Artist’s Studio”
  • Elise Lawton Smith, “The Role of Women in De Morgan’s Later History Paintings” Evelyn Pickering DeMorgan and the Allegorical Body, 2002

5/1 (R): Models and Artists: Biographical issues

Read:

  • Prettejohn, 189-205
  • Elizabeth Siddall, Poems


WEEK 16. CONCLUSIONS

5/6 (T): Contemporary Pre-Raphaelitisms

5/8 (R): Conclusion


***TAKE HOME FINAL EXAM DUE TUESDAY, MAY 13, 2008 BY 5:00 P.M.***