Attributed to Zhao Gan (fl. ca. 961-975):
Along the River at First Snow, handscroll, ink and slight color on silk. National Palace Museum, Taiwan. (3000 Years of Chinese Painting, pl. 87)
Attributed to Dong Yuan (d. 962):
Summer Mountains, handscroll, ink on silk. Shanghai Museum. (3000 Years of Chinese Painting, pl. 88)
Wintry Groves and Layered Banks, hanging scroll, ink on silk. Kurokawa Institute, Hyogo, Japan. (3000 Years of Chinese Painting, pl. 89)
Attributed to Juran (fl. ca. 960-985):
Distant Mountain Forests, hanging scroll, ink on silk. National Palace Museum, Taiwan. (3000 Years of Chinese Painting, pl. 90)
Buddhist Retreat by Stream and Mountain, hanging scroll, ink on silk. Cleveland Museum of Art. (3000 Years of Chinese Painting, pl. 91)
Anon. (excavated from the tomb of Wang Chuzi in Quyang, Hebei):
Mountain Landscape, mural on prepared wall surface, dateable to 923.
Anon. (excavated from a Liao tomb in northeast China):
Temple in the Mountains, hanging scroll, ink and color on silk; dateable to third quarter of 10th c. Liaoning Provincial Museum.
Attributed to Jing Hao (ca. 855-915):
Mt. Kuanglu hanging scroll, ink on silk. National Palace Museum, Taiwan. (3000 Years of Chinese Painting, pl. 85)
Jing Hao also wrote Notes on Brush Method (Bifa ji), describing "6 Essentials":
qi = life breath, yun = resonance, si = thought, jing = scenery, bi = brushwork, mo =inkwash.
Attributed to Guan Tong (fl. early 10th c):
Autumn Mountains at Dusk, hanging scroll, ink on silk. National Palace Museum, Taiwan. (3000 Years of Chinese Painting, pl. 86)
term:
cun (ts'un) = texture strokes, stippling of the surfaces of rocks and mountains.