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 | William Holman Hunt, Hireling Shepherd, 1851 |
 | Dante Gabriel Rossetti, Ecce Ancilla Domini, 1850 |
 | John Everett Millais, Lorenzo and Isabella, 1849 |
 | John Everett Millais, Christ in the House of His Parents, 1850 |
 | John Everett Millais, Ophelia, 1852 |
 | John Everett Millais, John Ruskin, 1854 |
 | John Everett Millais, Autumn Leaves, 1856 |
 | Dante Gabriel Rossetti, Beata Beatrix, 1863 |
 | William Powell Frith, The Railway Station, 1862 |
 | James Abbott McNeill Whistler, Nocturne in Black and Gold, 1874 |
 | Albert Moore, Beads, 1875 |
 | James Abbott McNeill Whistler, Peacock Room, 1876 |
 | Dante Gabriel Rossetti, Veronica Veronese, 1872 |
 | Dante Gabriel Rossetti, Astarte Syriaca, 1877 |
 | Edward Coley Burne-Jones, Laus Veneris, 1878 |
 | Dante Gabriel Rossetti, Found, 1854 |
 | William Holman Hunt, Awakening Conscience, 1853 |
 | Augustus Egg, Past and Present, 1858 |
 | Emily Mary Osborne, Nameless and Friendless, 1857 |
 | Elizabeth Thompson, Roll Call, 1874 |
 | Elizabeth Siddal, Self-Portrait, 1854 |
 | Julia Margaret Cameron, King Arthur, 1874 |
 | Frederick Leighton, Venus Disrobing, 1867 |
 | Edward Coley Burne-Jones, Pygmalion: The Soul Attains, 1878 |
 | Frederick Leighton, Self-Portrait, 1880 |
 | Frederick Leighton, Flaming June , 1895 |
 | John Everett Millais, Knight Errant, 1870 |
 | Edward Coley Burne-Jones, Beguiling of Merlin, 1877 |
 | John William Waterhouse, Lady of Shalott, 1888 |
 | William Holman Hunt, Lady of Shalott , 1905 |
 | John Singer Sargent, Claude Monet Sketching at the Edge of a Wood, 1887 |
 | Laura Knight, Self-Portrait with Model, 1913 |
 | Walter Sickert, Little Dot Hetherington at the Bedford Music Hall, 1889 |
 | Walter Sickert, The Camden Town Murder (What Shall We Do for the Rent?), 1908 |
 | Duncan Grant, Self-Portrait, 1919 |
 | Duncan Grant, Vanessa Bell at Charleston, 1917 |
 | Duncan Grant, On the Mantlepiece, 1914 |
 | Vanessa Bell, Studland Beach, 1912 |
 | Wyndham Lewis, Revolution, 1917 |
 | John Singer Sargent, Gassed, 1919 |
 | Duncan Grant, In Memoriam: Rupert Brooke, 1915 |
 | Christopher Nevinson, Paths of Glory, 1915 |
 | Paul Nash, We Are Making a New World, 1918 |
 | Stanley Spencer, Sandringham Memorial Chapel: Convoy of Wounded Soldiers and Scrubbing the Floor, 1927 |
 | Stanley Spencer, Self-Portrait with Patricia, 1936 |
 | Francis Bacon, Figures at the Foot of a Crucifixion, 1944/88 |
 | Francis Bacon, Head Surrounded by Sides of Beef, 1954 |
 | Lucien Freud, Naked Girl Asleep, 1968 |
 | Peter Blake, Got a Girl, 1961 |
 | Richard Hamilton, Just What is it That Makes Today's Homes Different, So Appealing?, 1956 |
 | David Hockney, The Splash, 1966 |
 | Gilbert and George, Are You Angry or Are You Boring?, 1977 |
 | John Coplans, Self-Portrait, 1994 |
 | Andy Goldsworthy, Red Pools, 1994/5 |
 | Andy Goldsworthy, Black Stones, Winter, 1994/5 |
 | Rachel Whiteread, House, 1993, concrete |
 | Tracey Emin, Everyone I have Ever Slept With, 1963-1995, 1995 |
 | Damien Hirst, Away from the Flock, 1994 |
 | Ron Mueck, Dead Dad, 1997 |
 | Yinka Shonibare, Diary of a Victorian Dandy, 1998 |
 | Chris Ofili,The Holy Virgin Mary, 1996 |
 | Mark Wallinger, Ecce Homo, 1999 |
 | Mark Wallinger, Ecce Homo, Detail, 1999 |
 | Martin Creed, Work No. 227: The Lights Going On and Off, 2000 |
 | Grayson Perry, Mr. Shit Sex, 1999 |
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