Lecture 4: The Fifteenth Century in Flanders: Jan van Eyck
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Claus Sluter, Well of Moses, Chartreuse de Champmol, Dijon, 1395-1406, limestone (15-3) |
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*The Limbourg Brothers, May from Les Très Riches Heures du Duc de Berry (The Very Rich Hours of the Duke of Berry), 1413-16, Musée Condé, Chantilly, illuminated manuscript (similar to 15-1 and 15-2) |
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Melchoir Broederlam, Retable de Champmol (Alter of the Crucifixion), closed, 1399, tempera on panel (15-4) |
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Melchoir Broederlam, Detail of the Annunciation from the Retable de Champmol (Alter of the Crucifixion), 1399, tempera on panel (15-4, left) |
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Melchoir Broederlam, Detail of the Visitation from the Retable de Champmol (Alter of the Crucifixion), 1399, tempera on panel (15-4, left) |
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Melchoir Broederlam, Detail of the Presentation from the Retable de Champmol (Alter of the Crucifixion), 1399, tempera on panel (15-4, right) |
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Melchoir Broederlam, Detail of the Flight into Egypt from the Retable de Champmol (Alter of the Crucifixion), 1399, tempera on panel (15-4, right) |
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Master of Flémalle (Robert Campin?), The Mérode Altarpiece (open), c.1425, oil on panel, The Cloisters Collection, New York (15-12) |
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Jan van Eyck (painted with Hubert van Eyck, c. 1370-1426), The Ghent Altarpiece (closed), St. Bavon Cathedral, Ghent, 1426-32, oil on panel (15-5) |
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Jan van Eyck (painted with Hubert van Eyck, c. 1370-1426), The Ghent Altarpiece (open), St. Bavon Cathedral, Ghent, 1426-32, oil on panel (15-6) |
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Jan van Eyck, Giovanni Arnolfini and His Bride, 1434, oil on panel, National Gallery, London (15-13) |
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Jan van Eyck, Man in a Turban (Self-Portrait?), 1433, oil on panel, National Gallery, London (15-16) |
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Rogier van der Weyden, The Deposition (Descent from the Cross), ca.1435, oil on panel, Prado, Madrid (15-7) |
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Rogier van der Weyden, Last Judgement (Beaune Altarpiece), open showing center panels, ca. 1444-1448, Musee de l'Hotel-Dieu, Beaune, oil on panel (15-8) |
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Rogier van der Weyden, Portrait of a Lady, ca.1460, oil on panel, National Gallery of Art, Washington, D.C. (15-17) |
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Petrus Christus, A Goldsmith in His Shop (St. Eligius and the Lovers), 1449, oil on panel, Metropolitan Museum of Art, New York (15-15) |
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Dirk Bouts, Last Supper, center panel of the Altarpiece of the Holy Sacrament, St. Peter's, Louvain, Belgium, 1464-1468, oil on panel (15-9) |
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Hugo van der Goes, The Portinari Altarpiece, open, ca.1476, tempera and oil on panel, Galleria degli Uffizi,Florence (15-10) |
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Hieronymus Bosch, The Garden of Earthly Delights, ca.1500, oil on panel, Museo del Prado, Madrid (15-18) |